紅花之歌（別名：honghuazhige 火紅的小花之歌 / The Song of the Scarlet Flower / The Flame of Life）是莫里茲·斯蒂勒主持執(zhí)導(dǎo),由Greta Almroth,Arvid Dahlberg,約翰·埃克曼演員主演,是一部扣人心弦的劇情片。
《紅花之歌》講述了一個(gè)關(guān)于愛情與磨難的故事。Greta Almroth出演女主角，Arvid Dahlberg出演男主角，約翰·?？寺椦莘磁山巧?。Greta Almroth：我愿意為你放棄一切，只求能與你共度一生。Arvid Dahlberg：無論經(jīng)歷多少困難，我都會守護(hù)著你，直到永遠(yuǎn)。約翰·埃克曼：我絕不會讓你們幸福，我要讓你們永遠(yuǎn)受折磨。主演演員：Greta Almroth、Arvid Dahlberg、約翰·?？寺?。豆瓣內(nèi)容:　　“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.　　“Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.紅花之歌更多精彩遠(yuǎn)離人群的地方208客機(jī)赤橙黃綠青藍(lán)紫直奉大戰(zhàn)誘捕之后相遇之家天邊有一簇圣火夢斷樓蘭再生之地崢嶸歲月